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(min-resolution: 288dpi)\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1800\"\/><source media=\"(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200\"\/><source media=\"(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600\"\/><img alt=\"A dark-walled gallery with three Baroque portraits.\" class=\"css-rq4mmj\" src=\"https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-articleLarge.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-jumbo.jpg?quality=75&amp;auto=webp 1024w,https:\/\/static01.nyt.com\/images\/2025\/03\/07\/world\/07caravaggio0\/07caravaggio0-superJumbo.jpg?quality=75&amp;auto=webp 2048w\" sizes=\"((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 80vw, 100vw\" decoding=\"async\" width=\"600\" height=\"400\"\/><\/picture><\/div><figcaption data-testid=\"photoviewer-children-ImageCaption\" class=\"css-ktho12 e3rygrp0\"><span class=\"css-jevhma e13ogyst0\">\u201cCaravaggio 2025,\u201d at the National Gallery of Ancient Art at the Palazzo Barberini in Rome, tracks the artist\u2019s meteoric career.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"css-1ly73wi e1tej78p0\">Credit...<\/span><span><span aria-hidden=\"false\">Alberto Novelli and Alessio Panunzi\/Gallerie Nazionali di Arte Antica - Palazzo Barberini<\/span><\/span><\/span><\/figcaption><\/figure><\/div><div class=\"css-p6m5rf\"><div class=\"byline-container css-1e2jphy epjyd6m2\"><div class=\"css-233int epjyd6m1\"><p class=\"css-4anu6l e1jsehar1\"><span class=\"byline-prefix\">By <\/span><a href=\"https:\/\/www.nytimes.com\/by\/elisabetta-povoledo\" class=\"last-byline css-ojhyzr e1jsehar0\" itemProp=\"name\">Elisabetta Povoledo<\/a><\/p><div class=\"css-1gqes1i epjyd6m0\"><div id=\"enhanced-byline\" class=\"css-8atqhb\"><p class=\"css-1hyokyd e1wtpvyy0\">Reporting from Rome<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"css-1c72mta\"><time class=\"css-kx0gap e16638kd0\" dateTime=\"2025-03-07T00:01:10-05:00\">March 7, 2025, <span class=\"css-epvm6\">12:01 a.m. ET<\/span><\/time><\/div><\/header><section name=\"articleBody\" class=\"meteredContent css-1r7ky0e\"><div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-0\"><div class=\"css-53u6y8\"><p class=\"css-at9mc1 evys1bk0\">Some 430 years after the Lombard artist Michelangelo Merisi, better known as Caravaggio, swept into Rome to enchant, and land, well-placed patrons with his bold yet intimate artistry, Caravaggio is again grabbing the spotlight, with a blockbuster exhibition at the National Gallery of Ancient Art at Palazzo Barberini.<\/p><p class=\"css-at9mc1 evys1bk0\">Chronologically organized, the exhibition, titled \u201cCaravaggio 2025,\u201d tracks the artist\u2019s meteoric career from his arrival in Rome, when he could only afford to use himself as a model, to more flush times, when he was feted by wealthy bankers and cardinals, to his final years on the run, after killing a man, and attempting through art to gain a papal pardon.<\/p><p class=\"css-at9mc1 evys1bk0\">Thomas Clement Salomon, the director of the National Gallery, said that with its four Caravaggios and what he called the most important collection of Caravaggesque paintings in the world, the institution was a natural choice to host a Caravaggio extravaganza.<\/p><\/div><aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside><\/div><div data-testid=\"Dropzone-1\"><\/div><div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-1\"><div class=\"css-53u6y8\"><p class=\"css-at9mc1 evys1bk0\">Back to the palazzo after centuries away are three works \u2014 \u201cThe Cardsharps,\u201d owned by the Kimbell Art Museum in Fort Worth; \u201cConcert\u201d (or \u201cThe Musicians\u201d), from the Metropolitan Museum in New York; and \u201cSt. Catherine of Alexandria,\u201d from the Thyssen-Bornemisza National Museum in Madrid \u2014 that were once part of the collection of Cardinal Antonio Barberini, one long-ago resident of the 17th-century palace.<\/p><\/div><aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside><\/div><div data-testid=\"ImageBlock-3\"><div data-testid=\"imageblock-wrapper\"><figure class=\"img-sz-medium css-d754w4 e1g7ppur0\" aria-label=\"media\" role=\"group\"><div class=\"css-1xdhyk6 erfvjey0\" data-testid=\"photoviewer-children-figure\"><span class=\"css-1ly73wi e1tej78p0\">Image<\/span><div class=\"css-nwd8t8\" data-testid=\"lazy-image\"><div data-testid=\"lazyimage-container\" style=\"height:277.1111111111111px\"><\/div><\/div><\/div><figcaption data-testid=\"photoviewer-children-caption\" class=\"css-gbc9ki ewdxa0s0\"><span class=\"css-jevhma e13ogyst0\">\u201cThe Cardsharps,\u201d owned by the Kimbell Art Museum in Fort Worth, is on loan to the show. It was once part of the collection of Cardinal Antonio Barberini, who resided at the palazzo where it is now on display.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"css-1ly73wi e1tej78p0\">Credit...<\/span><span><span aria-hidden=\"false\">Kimbell Art Museum, Fort Worth, Texas<\/span><\/span><\/span><\/figcaption><\/figure><\/div><\/div><div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-2\"><div class=\"css-53u6y8\"><p class=\"css-at9mc1 evys1bk0\">More than 60,000 tickets have already been sold to the exhibition, which opens Friday and will run through July 6, a testament both to the appeal of Caravaggio\u2019s fierce originality as well as his reputation as Baroque\u2019s sword-bearing bad boy.<\/p><div class=\"css-1336jj\"><div class=\"css-121kum4\"><div class=\"css-171quhb\"><\/div><div class=\"css-asuuk5\"><noscript><div class=\"css-7axq9l\" data-testid=\"optimistic-truncator-noscript\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" aria-hidden=\"true\" class=\"css-1b5b8u1\"><path fill=\"currentColor\" fill-rule=\"evenodd\" d=\"M2.5 12a9.5 9.5 0 1 1 19 0 9.5 9.5 0 0 1-19 0Zm8.5 1.75v-7.5h2v7.5h-2Zm0 2v2h2v-2h-2Z\" clip-rule=\"evenodd\"><\/path><\/svg><div data-testid=\"optimistic-truncator-noscript-message\" class=\"css-6yo1no\"><p class=\"css-3kpklk\">We are having trouble retrieving the article content.<\/p><p class=\"css-3kpklk\">Please enable JavaScript in your browser settings.<\/p><\/div><\/div><\/noscript><div class=\"css-1dv1kvn\" id=\"optimistic-truncator-a11y\" tabindex=\"-1\"><hr\/><p>Thank you for your patience while we verify access. 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land, well-placed patrons with his bold yet intimate artistry, Caravaggio is again grabbing the spotlight, with a blockbuster exhibition at the National Gallery of Ancient Art at Palazzo Barberini.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":0},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Chronologically organized, the exhibition, titled \u201cCaravaggio 2025,\u201d tracks the artist\u2019s meteoric career from his arrival in Rome, when he could only afford to use himself as a model, to more flush times, when he was feted by wealthy bankers and cardinals, to his final years on the run, after killing a man, and attempting through art to gain a papal 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She has been identified by scholars as the model for the \u201cSt. Catherine of Alexandria\u201d from Madrid, the woman holding the mirror in \u201cMartha and Mary Magdalene\u201d from Detroit and the protagonist in the Barberini\u2019s \u201cJudith Beheading Holofernes,\u201d which are shown here together.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":true,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":9},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cFor me what\u2019s exciting is to see how Caravaggio acts like a director,\u201d said Maria Cristina Terzaghi, also a curator of the exhibition, describing how Caravaggio could use the same model in different costumes and lighting to create dramatically different works.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":true,\"index\":10},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"A woman in a flowing dress, seated near a large wooden wheel, holding a staff. \",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cSt. Catherine of Alexandria,\u201d by Caravaggio, from the Thyssen-Bornemisza National Museum in Madrid.\"}]}],\"text\":\"\u201cSt. Catherine of Alexandria,\u201d by Caravaggio, from the Thyssen-Bornemisza National Museum in Madrid.\"},\"credit\":\"Museo Nacional Thyssen-Bornemisza, Madrid\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":775,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-popup.jpg\",\"width\":388},{\"__typename\":\"ImageRendition\",\"height\":1024,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-jumbo.jpg\",\"width\":793},{\"__typename\":\"ImageRendition\",\"height\":2048,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-superJumbo.jpg\",\"width\":1586}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":245,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":2325,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03\\u002F07caravaggio-03-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvMTIyOGEwNDgtOGVhNS01ZTBjLWExNTEtMDUwZTAyYzFkNGU1\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"\u201cSt. Catherine of Alexandria,\u201d by Caravaggio, from the Thyssen-Bornemisza National Museum in Madrid.\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002F1228a048-8ea5-5e0c-a151-050e02c1d4e5\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-03.html\"},\"size\":\"MEDIUM\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":true,\"index\":11},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"Two women look at each other. 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In the case of two works where Caravaggio\u2019s authorship is in doubt \u2014 a \u201cNarcissus\u201d and a \u201cPortrait of Maffeo Barberini as Protonotary Apostolic\u201d \u2014 the comparison alongside universally accepted works may determine if they pass muster.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":13},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"The show also includes two paintings that have recently emerged from private collections.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"One is another \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F11\\u002F22\\u002Farts\\u002Fdesign\\u002Fcaravaggio-portrait-maffeo-barberini.html\"}],\"text\":\"portrait of Maffeo Barberini\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\", made public last year, that the National Gallery is negotiating to buy. \u201cIt would be a dream,\u201d Salomon said. The painting\u2019s inclusion here, along with a \u201cPortrait of a Knight of Malta,\u201d underscores the void in Caravaggio studies when it comes to portraiture.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":true,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":true,\"index\":14},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"A man, seated, in a black hat and black robes over a lighter collared shirt.\",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"A portrait of Maffeo Barberini, made public last year, by Caravaggio.\"}]}],\"text\":\"A portrait of Maffeo Barberini, made public last year, by Caravaggio.\"},\"credit\":\"Collezione privata\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":819,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-popup.jpg\",\"width\":367},{\"__typename\":\"ImageRendition\",\"height\":1024,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-jumbo.jpg\",\"width\":751},{\"__typename\":\"ImageRendition\",\"height\":2048,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-superJumbo.jpg\",\"width\":1501}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":259,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":2457,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06\\u002F07caravaggio-06-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvZTAxMWJjNjgtZmM0NS01OWRlLWExNWUtZGZmOGVkNTcwZjg4\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"A portrait of Maffeo Barberini, made public last year, by Caravaggio.\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002Fe011bc68-fc45-59de-a15e-dff8ed570f88\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-06.html\"},\"size\":\"MEDIUM\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":true,\"index\":15},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Archival sources suggest that Caravaggio painted many portraits, but very few works remain. \u201cIt\u2019s part of his output that\u2019s been very hard to nail down,\u201d said Francesca Cappelletti, director of the Borghese Gallery in Rome and another curator of the show.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":16},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"The other painting is an \u201cEcce Homo\u201d that \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2021\\u002F04\\u002F08\\u002Farts\\u002Fdesign\\u002Fcaravaggio-spain-export-ban.html\"}],\"text\":\"emerged at auction in Madrid in 2021\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\". The suggested starting bid was set at 1,500 euros, or about $1,800, but the Spanish government pulled the painting after several Italian dealers and art historians tentatively identified the work as a Caravaggio. After it was restored, the painting was bought by an anonymous client who has lent the work to the Prado Museum in Madrid, which in turn sent it to Rome. The attribution appears to have held since the painting has become public, but the show will permit scholars to view it in the context of other works.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":17},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cThis is a very scientific exhibit; it\u2019s very much for scholars,\u201d Cappelletti said.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"Two men stand on either side of a man with long hair, one holding red fabric. \",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"An \u201cEcce Homo\u201d that emerged at auction in Madrid in 2021.\"}]}],\"text\":\"An \u201cEcce Homo\u201d that emerged at auction in Madrid in 2021.\"},\"credit\":\"Icon Trust\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":775,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-popup.jpg\",\"width\":388},{\"__typename\":\"ImageRendition\",\"height\":1024,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-jumbo.jpg\",\"width\":794},{\"__typename\":\"ImageRendition\",\"height\":2048,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-superJumbo.jpg\",\"width\":1587}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":245,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":2324,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04\\u002F07caravaggio-04-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvZGJhYTg0ZTAtNTUxNy01ZGUyLWFlMzAtYTQwYjA2Y2NhNjA0\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"An \u201cEcce Homo\u201d that emerged at auction in Madrid in 2021.\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002Fdbaa84e0-5517-5de2-ae30-a40b06cca604\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-04.html\"},\"size\":\"MEDIUM\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":true,\"index\":18},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Other questions \u2014 over attribution, copies and provenance, to name some \u2014 are discussed in the catalog, a compendium of sorts of recent Caravaggio scholarship. \u201c\u2018Caravaggio 2025\u2019 wants to take stock of what we know today about the master and of the idea that we have of him today,\u201d Terzaghi said.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":19},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Scholars concur on about 60 paintings that can be definitively attributed to Caravaggio, said Terzaghi, and a little more than a third of them are included in the show. Several more are visible in Roman museums and churches. \u201cIf we calculate them all, I\u2019d say that two-thirds of his work is now in Rome, so if one wants to study Caravaggio, they must come during this period,\u201d she said.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":true,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":20},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"The Borghese Gallery lent three works to the show, but still has three more at home thanks to Cardinal Scipione Borghese, an early fan of Caravaggio. And Rome\u2019s Doria Pamphilj Gallery has two works.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":true,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":21},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Altarpieces by Caravaggio are found in four Roman churches, though in the case of one, a copy of a \u201cDeposition\u201d hangs instead of the original, which now belongs to the Vatican Museums. Three altar paintings for the Contarelli chapel are in the French church of San Luigi, his first, important religious commission which made him the talk of the town.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":true,\"index\":22},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"A group of four young men, one with a lute, with white robes draped over their shoulders. \",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cConcert,\u201d by Caravaggio, from the Metropolitan Museum of Art.\"}]}],\"text\":\"\u201cConcert,\u201d by Caravaggio, from the Metropolitan Museum of Art.\"},\"credit\":\"The Metropolitan Museum of Art\\u002FArt Resource\\u002FScala, Firenze\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":464,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-popup.jpg\",\"width\":647},{\"__typename\":\"ImageRendition\",\"height\":792,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-jumbo.jpg\",\"width\":1024},{\"__typename\":\"ImageRendition\",\"height\":1584,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-superJumbo.jpg\",\"width\":2048}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":147,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":1393,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07\\u002F07caravaggio-07-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvNzlmZDA2MGEtYzg4Yi01MzEwLTk3MWItZWNjYjA0YzhjMjQ4\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"\u201cConcert,\u201d by Caravaggio, from the Metropolitan Museum of Art.\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002F79fd060a-c88b-5310-971b-eccb04c8c248\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fworld\\u002F07caravaggio-07.html\"},\"size\":\"MEDIUM\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":true,\"index\":23},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"His second religious commission consisted of two lateral paintings in the Cerasi Chapel in Santa Maria del Popolo. The first versions, of the \u201cCrucifixion of Peter\u201d and \u201cConversion of Saul\u201d (both 1604-05), were rejected, scholars say, because they were painted while the chapel was being built, and didn\u2019t fit the space. He repainted both subjects. Subsequently, the \u201cCrucifixion\u201d was lost, but the first version of \u201cConversion,\u201d which belongs to a private collection in Rome, is included in the show at the Barberini.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":24},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cWe didn\u2019t ask any churches to loan their paintings; it\u2019s a Jubilee year,\u201d said Salomon, referring to the Roman Catholic Church Holy Year that takes place every 25 years and is expected to bring millions of faithful to Rome and the Vatican in 2025.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":25},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Come the end of March, visitors to the show will also be able to get tickets on weekends to see Caravaggio\u2019s only known mural, depicting \u201cJupiter, Neptune and Pluto,\u201d in the Casino Boncompagni Ludovisi a short stroll away. In addition to this Caravaggio fresco \u2014 which he painted for the villa\u2019s first owner, Cardinal Francesco Maria Del Monte, in 1597 \u2014 the villa has ceiling frescoes by other Baroque masters, including Giovanni Francesco Barbieri, better known as Guercino.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":26},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Although the show was difficult to pull together, Salomon said, \u201cOur greatest joy is to be able to offer this exhibit in the difficult times that we live in today.\u201d\"}],\"textAlign\":\"LEFT\"}]},\"storyFormat\":\"Article\",\"storylines\":[{\"__typename\":\"AssociatedStoryline\",\"ruleName\":\"styln-special-fine-arts\",\"storyline\":{\"__typename\":\"Storyline\",\"context\":null,\"displayName\":\"Fine Arts & Exhibits\",\"experimentalJsonBlob\":\"{\\\"data\\\":[{\\\"version\\\":1,\\\"type\\\":\\\"experimentalJsonBlob\\\",\\\"data\\\":[{\\\"version\\\":1,\\\"type\\\":\\\"topLinks\\\",\\\"data\\\":{\\\"title\\\":\\\"The Fine Arts & Exhibits Special Section\\\",\\\"imageUrl\\\":\\\"\\\",\\\"leadIn\\\":\\\"\\\",\\\"bulletedList\\\":[\\\"\\u003Cstrong\\u003EGiant-Sized Exhibits\\u003C\\u002Fstrong\\u003E\\u003Cstrong\\u003E: \\u003C\\u002Fstrong\\u003EA free museum near Route 66 celebrates \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F23\\u002Farts\\u002Fdesign\\u002Ffiberglass-giants-illinois-route-66.html\\\\\\\"\\u003EAmerica\u2019s fiberglass giants\\u003C\\u002Fa\\u003E\u00a0and the nostalgia that draws people to them.\\\",\\\"\\u003Cstrong\\u003EWild Things\\u003C\\u002Fstrong\\u003E: A retrospective highlighting the works and the \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F23\\u002Farts\\u002Fdesign\\u002Fmaurice-sendak-wild-things-denver.html\\\\\\\"\\u003Eimaginative life of Maurice Sendak\\u003C\\u002Fa\\u003E\u00a0runs through Feb. 17 at the Denver Art Museum.\\\",\\\"\\u003Cstrong\\u003EWrestling With \u201cHybridity\u201d\\u003C\\u002Fstrong\\u003E: \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F22\\u002Farts\\u002Fdesign\\u002Fchase-hall-wrestles-with-hybridity.html\\\\\\\"\\u003EThe artist Chase Hall\\u003C\\u002Fa\\u003E, who is frank about the issues raised by his mixed race, has a solo show opening in Los Angeles.\\\",\\\"\\u003Cstrong\\u003EA City of Murals\\u003C\\u002Fstrong\\u003E: For 40 years, \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F23\\u002Farts\\u002Fdesign\\u002Fphiladelphia-murals.html\\\\\\\"\\u003EMural Arts Philadelphia\\u003C\\u002Fa\\u003E\u00a0has been nurturing art and 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\"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"uri\":\"nyt:\\u002F\\u002Farticle\\u002F19eef9cc-0334-5d73-a629-285c085750ab\",\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F23\\u002Farts\\u002Fdesign\\u002Fmaurice-sendak-wild-things-denver.html\"}],\"text\":\"imaginative life of Maurice Sendak\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u00a0runs through Feb. 17 at the Denver Art Museum.\"}]}]},{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"Wrestling With \u201cHybridity\u201d\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\": \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"uri\":\"nyt:\\u002F\\u002Farticle\\u002Fc577fe97-5b42-5cb7-833b-065beb2f2646\",\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F22\\u002Farts\\u002Fdesign\\u002Fchase-hall-wrestles-with-hybridity.html\"}],\"text\":\"The artist Chase Hall\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\", who is frank about the issues raised by his mixed race, has a solo show opening in Los Angeles.\"}]}]},{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"A City of Murals\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\": For 40 years, \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"uri\":\"nyt:\\u002F\\u002Farticle\\u002F0d88f43e-ee75-5c9b-b391-64babf595398\",\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2024\\u002F10\\u002F23\\u002Farts\\u002Fdesign\\u002Fphiladelphia-murals.html\"}],\"text\":\"Mural Arts Philadelphia\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u00a0has been nurturing art and artists who have left their marks throughout the city.\"}]}]},{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"More From the Special Section: \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"The 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It was concealed \u2014 and then forgotten. \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F01\\u002Farts\\u002Fdesign\\u002Fphilip-guston-mural-mexico.html\\\\\\\"\\u003ENow, it\u2019s been unveiled\\u003C\\u002Fa\\u003E.\\\",\\\"\\u003Cstrong\\u003EThe American Dream, Through Foreign Eyes\\u003C\\u002Fstrong\\u003E\\u003Cstrong\\u003E: \\u003C\\u002Fstrong\\u003EA major Dutch museum is staging a huge exhibition of American photography that explores the tension between \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F06\\u002Farts\\u002Fdesign\\u002Famerican-photography-rijksmuseum.html\\\\\\\"\\u003Ehow the United States would like to see itself, and how it really looks\\u003C\\u002Fa\\u003E.\\\",\\\"\\u003Cstrong\\u003EArtist\u2019s Muse and Sonic Healer\\u003C\\u002Fstrong\\u003E\\u003Cstrong\\u003E: \\u003C\\u002Fstrong\\u003EAlice Coltrane, a jazz virtuoso who devoted much of her life to a spiritual journey, is a beacon for today\u2019s artists. \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F07\\u002Farts\\u002Fdesign\\u002Falice-coltrane-hammer-museum.html\\\\\\\"\\u003EAn exhibition at the Hammer Museum in Los Angeles shows why\\u003C\\u002Fa\\u003E.\\\",\\\"\\u003Cstrong\\u003EImpressionism Quiz: \\u003C\\u002Fstrong\\u003EIt\u2019s been 150 years since the Impressionists shocked Paris with their rebellious Soci\u00e9t\u00e9 Anonyme show. \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002Finteractive\\u002F2025\\u002F01\\u002F16\\u002Farts\\u002Fdesign\\u002Fimpressionism-quiz.html\\\\\\\"\\u003ETest how well you know those once-revolutionary smudges\\u003C\\u002Fa\\u003E.\\\"]}]}]}}]}]}\",\"guide\":{\"__typename\":\"StorylineGuide\",\"displayName\":\"The Vast World of Art and Design\",\"leadIn\":null,\"sections\":[{\"__typename\":\"StorylineGuideSection\",\"items\":[{\"__typename\":\"StorylineGuideItem\",\"content\":{\"__typename\":\"ListBlock\",\"content\":[{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"The Curious Power of Tarot Cards\"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\": \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"A new exhibition in London traces the evolution of tarot from Renaissance Italy to the present day, with the \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"uri\":\"nyt:\\u002F\\u002Farticle\\u002Fb492f14d-ff67-5e45-80ee-3053f90f1f28\",\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F01\\u002F30\\u002Farts\\u002Fdesign\\u002Ftarot-exhibition-london-warburg-institute.html\"}],\"text\":\"card designs shifting to reflect the times\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\".\"}]}]},{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"A Restored Anti-Fascism Mural\"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\": \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"In 1934, two young artists drove from Los Angeles in a beat-up car to Mexico, to create a powerful artwork about repression. 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\"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"uri\":\"nyt:\\u002F\\u002Farticle\\u002F7ec57d91-dae2-58ad-ac1e-bd96e86e5115\",\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F07\\u002Farts\\u002Fdesign\\u002Falice-coltrane-hammer-museum.html\"}],\"text\":\"An exhibition at the Hammer Museum in Los Angeles shows why\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\".\"}]}]},{\"__typename\":\"ListItemBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\"}],\"text\":\"Impressionism Quiz: \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"It\u2019s been 150 years since the Impressionists shocked Paris with their rebellious Soci\u00e9t\u00e9 Anonyme show. 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