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srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-mobileMasterAt3x-v3.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200\"\/><source media=\"(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-mobileMasterAt3x-v3.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600\"\/><img alt=\"Two men, one dressed in heels, makeup and lingerie, and the other in boots and in underwear, make tough faces at each other.\" class=\"css-mm25ji\" src=\"https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-articleLarge-v2.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" srcSet=\"https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-articleLarge-v2.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-jumbo-v2.jpg?quality=75&amp;auto=webp 683w,https:\/\/static01.nyt.com\/images\/2025\/03\/06\/multimedia\/06rocky-horror-flop-gqwj\/06rocky-horror-flop-gqwj-superJumbo-v2.jpg?quality=75&amp;auto=webp 1366w\" sizes=\"100vw\" decoding=\"async\" width=\"600\" height=\"900\"\/><\/picture><\/div><figcaption data-testid=\"photoviewer-children-ImageCaption\" class=\"css-ktho12 e3rygrp0\"><span class=\"css-jevhma e13ogyst0\">Tim Curry, left, as Frank-N-Furter and Kim Milford as Rocky in the Broadway stage production of &ldquo;The Rocky Horror Show&rdquo; in 1975.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"css-1ly73wi e1tej78p0\">Credit...<\/span><span><span aria-hidden=\"false\">Martha Swope\/Billy 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class=\"css-72qxfg e1j3jvdr1\"><\/div><\/section><\/header><\/div><p class=\"css-1krtrpn e6idgb70\"><\/p><div class=\"css-1sojcmr ehdk2mb0\"><h1 id=\"link-29b52cf1\" class=\"css-185ahps e1h9rw200\" data-testid=\"headline\">Just Before It Was a Cult Film, \u2018Rocky Horror Show\u2019 Was a Broadway Flop<\/h1><\/div><p class=\"css-178vgup e1wiw3jv0\">Tim Curry and colleagues recall the musical\u2019s misadventure at the Belasco Theater in 1975.<\/p><\/div><\/div><\/div><\/header><div class=\"css-yi0xdk e89cr9k0\"><p class=\"css-a8rmpe\" aria-hidden=\"true\"><span class=\"css-1f1w20n theater\">Tim Curry, left, as Frank-N-Furter and Kim Milford as Rocky in the Broadway stage production of &ldquo;The Rocky Horror Show&rdquo; in 1975.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"css-1ly73wi e1tej78p0\">Credit...<\/span><span><span>Martha Swope\/Billy Rose Theatre Division, via The New York Public Library for the Performing Arts<\/span><\/span><\/span><\/p><\/div><div 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class=\"css-ccw2r3 epjyd6m3\"><time class=\"css-1uc6ajg e16638kd0\" dateTime=\"2025-03-07T05:01:48-05:00\">March 7, 2025<\/time><\/li><\/ul><\/div><\/div><\/div><section name=\"articleBody\" class=\"meteredContent css-1r7ky0e\"><div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-0\"><div class=\"css-53u6y8\"><p class=\"css-at9mc1 evys1bk0\">Fifty years have passed, but the actor Tim Curry isn\u2019t sure he has ever forgiven the reception that \u201cThe Rocky Horror Show\u201d received in its original Broadway production, which was also his Broadway debut.<\/p><p class=\"css-at9mc1 evys1bk0\">\u201cI try not to think about it,\u201d he said the other day by phone from Los Angeles. \u201cThere\u2019s not much point in paddling through old failures.\u201d<\/p><p class=\"css-at9mc1 evys1bk0\">Curry was back on Broadway the fall after \u201cRocky Horror,\u201d in Tom Stoppard\u2019s \u201cTravesties.\u201d But, wanting not to be reminded, he has never returned to the Belasco Theater on West 44th Street, where the musical spoof that would soon become <a class=\"css-yywogo\" href=\"https:\/\/timesmachine.nytimes.com\/timesmachine\/1979\/03\/09\/111080019.pdf\" title=\"\">a cult-film phenomenon<\/a> started previews on March 7, 1975, opened on March 10 and lasted just a month.<\/p><p class=\"css-at9mc1 evys1bk0\">On the heels of the show\u2019s successes in London, <a class=\"css-yywogo\" href=\"https:\/\/royalcourttheatre.com\/whats-on\/the-rocky-horror-show\/\" title=\"\" rel=\"noopener noreferrer\" target=\"_blank\">where it began in 1973<\/a> in the tiny upstairs theater at the Royal Court, and then in Los Angeles, at the Roxy nightclub, it was the kind of Broadway fizzle that seems baffling in retrospect \u2014 not least because some of its cast overlapped with the movie\u2019s.<\/p><\/div><aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside><\/div><div data-testid=\"Dropzone-1\"><\/div><div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-1\"><div class=\"css-53u6y8\"><p class=\"css-at9mc1 evys1bk0\">Arriving on Broadway after \u201cThe Rocky Horror Picture Show\u201d was shot but several months before it was released, the musical starred Curry in the role he had originated in London, as the sexually omnivorous, corset-clad,<strong class=\"css-8qgvsz ebyp5n10\"> <\/strong>extraterrestrial mad scientist Frank-N-Furter. Richard O\u2019Brien, who wrote the musical, played the disquieting butler Riff-Raff, and Meat Loaf doubled as the doomed delivery boy, Eddie, and the scientist Dr. Scott.<\/p><p class=\"css-at9mc1 evys1bk0\">Jim Sharman, who directed the film, restaged his Los Angeles production for Broadway. 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Curry, left, as Frank-N-Furter and Kim Milford as Rocky in the Broadway stage production of &ldquo;The Rocky Horror Show&rdquo; in 1975.\",\"uri\":\"nyt:\\u002F\\u002Fimage\\u002Fc6bdd15a-3eee-56a7-afe6-a553ab75309f\"},\"size\":\"MEDIUM\"},\"mobileHeadlineColor\":\"BLACK\",\"summary\":{\"__typename\":\"SummaryBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Tim Curry and colleagues recall the musical\u2019s misadventure at the Belasco Theater in 1975.\"}],\"textAlign\":\"LEFT\"},\"textPosition\":{\"__typename\":\"HeaderFullBleedTextPosition\",\"desktop\":\"DESKTOP_CENTER_CENTER\",\"mobile\":\"MOBILE_BELOW_LEDE\"},\"timestampBlock\":{\"__typename\":\"TimestampBlock\",\"align\":\"LEFT\",\"showUpdatedTimestamp\":null,\"timestamp\":\"2025-03-07T10:01:48.000Z\"}},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Fifty years have passed, but the actor Tim Curry isn\u2019t sure he has ever forgiven the reception that \u201cThe Rocky Horror Show\u201d received in its original Broadway production, which was also his Broadway debut.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":0},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"\u201cI try not to think about it,\u201d he said the other day by phone from Los Angeles. \u201cThere\u2019s not much point in paddling through old failures.\u201d\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":1},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Curry was back on Broadway the fall after \u201cRocky Horror,\u201d in Tom Stoppard\u2019s \u201cTravesties.\u201d But, wanting not to be reminded, he has never returned to the Belasco Theater on West 44th Street, where the musical spoof that would soon become \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Ftimesmachine.nytimes.com\\u002Ftimesmachine\\u002F1979\\u002F03\\u002F09\\u002F111080019.pdf\"}],\"text\":\"a cult-film phenomenon\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" started previews on March 7, 1975, opened on March 10 and lasted just a month.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":2},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"On the heels of the show\u2019s successes in London, \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Froyalcourttheatre.com\\u002Fwhats-on\\u002Fthe-rocky-horror-show\\u002F\"}],\"text\":\"where it began in 1973\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" in the tiny upstairs theater at the Royal Court, and then in Los Angeles, at the Roxy nightclub, it was the kind of Broadway fizzle that seems baffling in retrospect \u2014 not least because some of its cast overlapped with the movie\u2019s.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":true,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":3},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Arriving on Broadway after \u201cThe Rocky Horror Picture Show\u201d was shot but several months before it was released, the musical starred Curry in the role he had originated in London, as the sexually omnivorous, corset-clad,\"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\" \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"extraterrestrial mad scientist Frank-N-Furter. Richard O\u2019Brien, who wrote the musical, played the disquieting butler Riff-Raff, and Meat Loaf doubled as the doomed delivery boy, Eddie, and the scientist Dr. Scott.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":4},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Jim Sharman, who directed the film, restaged his Los Angeles production for Broadway. Lou Adler \u2014 the record executive, an owner of the Roxy and producer of the \u201cRocky Horror\u201d film \u2014 produced.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":5},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"The Broadway reviews reflected a peculiar mix of chip-on-the-shoulder indignation: about sitting \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F1975\\u002F01\\u002F27\\u002Farchives\\u002Faging-belasco-preens-for-a-new-theatrical-life.html\"}],\"text\":\"at the cabaret tables\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" that had replaced the theater\u2019s orchestra seats; about enduring yet another British import; about being subjected to what some critics called \u201ctrash.\u201d (Roundabout Theater Company \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F03\\u002F06\\u002Ftheater\\u002Foedipus-rocky-horror-roundabout-broadway.html\"}],\"text\":\"plans a second Broadway revival next spring\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" at Studio 54.)\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":6},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Clive Barnes, who \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F1973\\u002F09\\u002F11\\u002Farchives\\u002Fstage-two-plays-by-storey-in-london-albert-finney-stars-in-cromwell.html\"}],\"text\":\"had enjoyed\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" Sharman\u2019s production in London, \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Ftimesmachine.nytimes.com\\u002Ftimesmachine\\u002F1975\\u002F03\\u002F11\\u002F78827541.pdf\"}],\"text\":\"argued\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" in The New York Times that it had lost some vital craziness en route to Broadway and should have been staged in \u201ca filthy old cinema in the East Village.\u201d\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":true,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":7},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Curry, now 78; O\u2019Brien, 82; Sharman, 79; and Adler, 91, recently spoke in separate interviews about that Broadway production, which came only a year before late-night movie screenings started turning \u201cRocky Horror\u201d into a goth-camp classic. 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It was kind of immersive and subversive in its original form. [In London] we played it in what appeared to be, with Brian Thomson\u2019s design, demolished cinemas. Then Lou wanted to do it in the Roxy in L.A., and so it became a bit more of a rock \u2019n\u2019 roll horror show there. A touch of a Weimar cabaret to it.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":10},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"TIM CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" A huge part of its charm was the small, insignificant places that we played in. That we made them hip.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":11},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"RICHARD O\u2019BRIEN \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"We had a lovely time. It was a commitment to fun.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"SHARMAN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" After the movie, I thought we were done, and I was getting ready to go back to Australia and do other things. And then it was kind of, \u201cNo, we\u2019re doing Broadway.\u201d It was certainly spoken of that they wanted to do Broadway prior to releasing the film.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":12},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"LOU ADLER\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" It was more a personal thing than anything else, feeling like I\u2019d like to have it be successful in New York. I wasn\u2019t looking for a traditional theater on Broadway. I was looking in the boroughs, something outside of Manhattan. I found a place that I really liked. A local theater that had bar mitzvahs and weddings and those kinds of things. And the guy, first he said I could have it, then he said he had to change the date because he had a bar mitzvah that was scheduled. So I started looking for another theater.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":true,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":13},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"I liked the history of the Belasco. But I wanted to make it into a theater similar to what I had done at the Roxy.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":14},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" I wasn\u2019t sure at all about Lou Adler\u2019s idea that, because when we played it at the Roxy there were tables and chairs and drinks, it should be the same kind of ambience. I didn\u2019t know whether that would work. And it didn\u2019t.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":false,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":15},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" That was a fatal mistake. So many people had to sit sideways-on. And you can\u2019t ask people to watch a show sideways-on.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":16},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" Some of the highlights of the show were dangerous, because there was a sort of tawdry feel about it. I don\u2019t know that the new audience at the Belasco were up for that. They were just rather confused, I think.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":17},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"ADLER\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" At that time, Broadway was much stiffer. It was more traditional, and they weren\u2019t really happy with anything that came from L.A.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":true,\"adsHybrid\":true,\"adsMobile\":true,\"adsMobileHoldout\":true,\"bad\":false,\"index\":18},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2022\\u002F01\\u002F21\\u002Farts\\u002Fmusic\\u002Fmeat-loaf-dead-marvin-lee-aday.html\"}],\"text\":\"Meat Loaf\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" was great. He had a voice to die for back then.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"A man in sunglasses and a leopard print vest sings into a mic with a woman in a corset holding him, legs wrapped around him. \",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Meat Loaf as Eddie (with Enten).\"}]}],\"text\":\"Meat Loaf as Eddie (with Enten).\"},\"credit\":\"Martha Swope\\u002FThe New York Public Library for the Performing Arts\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":750,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-popup.jpg\",\"width\":400},{\"__typename\":\"ImageRendition\",\"height\":1024,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-jumbo.jpg\",\"width\":819},{\"__typename\":\"ImageRendition\",\"height\":2048,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-superJumbo.jpg\",\"width\":1638}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":238,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":2251,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F08\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv\\u002F06rocky-horror-flop-02-chpv-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvZmU3MzQ1YzQtYWRiNS01OTI4LWE1ZmMtMDlmZWU5ZjQzYjc5\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"Meat Loaf as Eddie (with Enten).\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002Ffe7345c4-adb5-5928-a5fc-09fee9f43b79\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fmultimedia\\u002F06rocky-horror-flop-02-chpv.html\"},\"size\":\"LARGE\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":true,\"index\":19},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" He was a force of nature. Good old boys believe in themselves. He was convinced that \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F1977\\u002F11\\u002F30\\u002Farchives\\u002Frock-meat-loaf-salty-bombastic-and-popular.html\"}],\"text\":\"\u201cRocky Horror\u201d was going to make him the kind of star\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" that he wanted to be.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":20},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"SHARMAN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" He did a very amusing Dr. Everett Scott, along the lines of Orson Welles.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" I used to barge about the theater down a ramp, and I think I probably got way too close to the audience for some people. Audiences, on Broadway at least, were expecting substance. And the substance they got at the Belasco was not particularly to their taste.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":21},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"Theater in New York in those days was more precious. Those critics could make and break a show.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":22},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"I lost so much confidence.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"SHARMAN \"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"What we were doing with \u201cRocky Horror\u201d back then was trying to move the theater out of theater, in a funny kind of way. Because it was still captive to a 19th-century proscenium idea of itself, and middle-class people seeing middle-class lives in middle-class rooms.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":true,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":23},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" It was far more stylized when we first started. \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fyoutu.be\\u002FJWoYy4Ah81s?si=dUdFlw3sir74C8f8\"}],\"text\":\"The movie turned Frank-N-Furter glamorous\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\". He wasn\u2019t. We weren\u2019t. It was much more expressionistic, you know, ghoulish, more gothic in a sense, and dirty, perhaps. But the weird thing was that this creature [Frank-N-Furter] would strut down the aisle and the women in the audience found him attractive. That was a change in social understanding, because that was a surprise to all of us as well. And not only that, the chap sitting next to the woman would go, \u201cI see what you mean.\u201d\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":true,\"index\":24},{\"__typename\":\"ImageBlock\",\"media\":{\"__typename\":\"Image\",\"altText\":\"An expressive-faced actress with a pixie haircut, wearing an embellished leotard and tap pants, white socks and tap shoes, posing, one hand on her hip.\",\"caption\":{\"__typename\":\"TextOnlyDocumentBlock\",\"content\":[{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"With performers like Enten, here, the Broadway production had \u201ca touch of a Weimar cabaret to it,\u201d the stage director Jim Sharman said.\"}]}],\"text\":\"With performers like Enten, here, the Broadway production had \u201ca touch of a Weimar cabaret to it,\u201d the stage director Jim Sharman said.\"},\"credit\":\"Martha Swope\\u002FThe New York Public Library for the Performing Arts\",\"crops\":[{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":814,\"name\":\"articleLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-articleLarge.jpg\",\"width\":600},{\"__typename\":\"ImageRendition\",\"height\":500,\"name\":\"popup\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-popup.jpg\",\"width\":369},{\"__typename\":\"ImageRendition\",\"height\":1024,\"name\":\"jumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-jumbo.jpg\",\"width\":755},{\"__typename\":\"ImageRendition\",\"height\":2048,\"name\":\"superJumbo\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-superJumbo.jpg\",\"width\":1510}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":150,\"name\":\"thumbLarge\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-thumbLarge.jpg\",\"width\":150}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":258,\"name\":\"articleInline\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-articleInline.jpg\",\"width\":190}]},{\"__typename\":\"ImageCrop\",\"renditions\":[{\"__typename\":\"ImageRendition\",\"height\":2450,\"name\":\"mobileMasterAt3x\",\"url\":\"https:\\u002F\\u002Fstatic01.nyt.com\\u002Fimages\\u002F2025\\u002F03\\u002F06\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv\\u002F06rocky-horror-flop-03-chpv-mobileMasterAt3x.jpg\",\"width\":1800}]}],\"id\":\"SW1hZ2U6bnl0Oi8vaW1hZ2UvZmJkZGMxMWUtOGVmOC01YWQ2LWFlZjEtNGNjMjkxYzE3MWNj\",\"imageType\":\"photo\",\"legacyHtmlCaption\":\"With performers like Enten, here, the Broadway production had \u201ca touch of a Weimar cabaret to it,\u201d the stage director Jim Sharman said.\",\"timesTags\":[],\"uri\":\"nyt:\\u002F\\u002Fimage\\u002Ffbddc11e-8ef8-5ad6-aef1-4cc291c171cc\",\"url\":\"\\u002Fimagepages\\u002F2025\\u002F03\\u002F07\\u002Fmultimedia\\u002F06rocky-horror-flop-03-chpv.html\"},\"size\":\"LARGE\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":true,\"index\":25},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" I wasn\u2019t skin-deep gorgeous. I was gorgeous in attitude. And I was gorgeous, I think, in a certain kind of courage. It took a certain amount of courage to do the show in the first place, let alone translating it to New York. But then I started \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2011\\u002F05\\u002F27\\u002Fnyregion\\u002Felaines-restaurant-jammed-on-its-closing-night.html\"}],\"text\":\"going to Elaine\u2019s\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\", and that was my shelter. I used to go up to 88th Street and hide at Elaine\u2019s and eat the veal chop.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":26},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" Recently, of course, and now with the authoritarian, far right, anti-gay, anti-rainbow brigade being loud and obnoxious, [\u201cRocky Horror\u201d has] become a kind of sanctuary. It\u2019s a rainbow event in a way.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":27},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"SHARMAN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" Though the way the show\u2019s being done these days, which is a bit like an imitation of the movie, it\u2019s more like a Broadway show. It\u2019s now the show that probably they would have loved in 1975.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":true,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":28},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"ADLER\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" What I learned immediately is if the critics didn\u2019t like you, you didn\u2019t have long. So at that point, not to spoil any of the excitement of coming out of London and L.A., and about the release of the film, I wanted to close as quickly as possible. If I regret it, I only regret it because I didn\u2019t give it the chance to grow. I don\u2019t know if it could have, but that might have been interesting, too.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":true,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":29},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" I had to go to the Algonquin Hotel, where I was staying, and tell them that I couldn\u2019t pay the bill. Because the show had been a flop. The manager was incredible and said, \u201cDon\u2019t worry, Mr. Curry. We know that you\u2019ll be back \u2014 on Broadway, in New York. One or the other. Probably both.\u201d Which was super encouraging and so generous. The next time I was in New York, I went in there and counted out the money in $5 bills.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":true,\"bad\":false,\"index\":30},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"O\u2019BRIEN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" I remember standing with Tim outside the Algonquin \u2014 well, of the Royalton, actually, where I was staying. The Royalton was 40 bucks a night, which was fantastic. And I\u2019m saying, \u201cWell, I suppose that\u2019s it.\u201d We\u2019d done the movie, and the show had closed. We both agreed that it had been a jolly nice ride.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":true,\"adsMobileHoldout\":false,\"bad\":false,\"index\":31},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"CURRY\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" But I had high hopes for the movie, and I really wanted it to be wonderful. When I went back to London, there was a screening, and I was very disappointed by the movie and particularly by my performance in it. Because I thought that it could have been a bit more subtle.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":32},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"BoldFormat\",\"type\":null}],\"text\":\"SHARMAN\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\" An interesting thing did happen because [the musical] lasted, what, a month? There was an audience that was still hungry for it. The film, which didn\u2019t have any names in it, kind of opened and shut like a door. But when the late-night [screenings] started, which was also in New York, \"},{\"__typename\":\"TextInline\",\"formats\":[{\"__typename\":\"LinkFormat\",\"title\":\"\",\"uri\":null,\"url\":\"https:\\u002F\\u002Ftimesmachine.nytimes.com\\u002Ftimesmachine\\u002F1976\\u002F05\\u002F14\\u002F355468262.pdf\"}],\"text\":\"at the Waverly\"},{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\", there was an audience that hadn\u2019t seen it that wanted to see it.\"}],\"textAlign\":\"LEFT\"},{\"__typename\":\"Dropzone\",\"adsDesktop\":false,\"adsDesktopHoldout\":false,\"adsHybrid\":false,\"adsMobile\":false,\"adsMobileHoldout\":false,\"bad\":false,\"index\":33},{\"__typename\":\"ParagraphBlock\",\"content\":[{\"__typename\":\"TextInline\",\"formats\":[],\"text\":\"And so the same city that had slightly punished it, in a way, on Broadway, became the kernel for what is still playing today, 50 years later. Karma.\"}],\"textAlign\":\"LEFT\"}]},\"storyFormat\":\"Roundtable\",\"storylines\":[{\"__typename\":\"AssociatedStoryline\",\"ruleName\":\"styln-broadway\",\"storyline\":{\"__typename\":\"Storyline\",\"context\":null,\"displayName\":\"Performances in N.Y.C.\",\"experimentalJsonBlob\":\"{\\\"data\\\":[{\\\"version\\\":1,\\\"type\\\":\\\"experimentalJsonBlob\\\",\\\"data\\\":[{\\\"version\\\":1,\\\"type\\\":\\\"guide\\\",\\\"data\\\":{\\\"title\\\":\\\"More on N.Y.C. Theater, Music and Dance\\\",\\\"leadIn\\\":\\\"\\\",\\\"sections\\\":[{\\\"section\\\":[{\\\"type\\\":\\\"bulletedList\\\",\\\"value\\\":[\\\"\\u003Cstrong\\u003EVinny DePonto Wants to Bring More Awe:\\u003C\\u002Fstrong\\u003E\u00a0In \u201cMindplay,\u201d a mentalist show, the magician asks his audience: \u201c\\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F12\\u002Ftheater\\u002Fmindplay-vinny-deponto-mentalist.html\\\\\\\"\\u003EWhat is most meaningful to you\\u003C\\u002Fa\\u003E?\u201d\\\",\\\"\\u003Cstrong\\u003ETaking Up the Banner of Sidelined Artists:\\u003C\\u002Fstrong\\u003E\u00a0With their Tent Theater Company, Tim Sanford and Aim\u00e9e Hayes want to \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F10\\u002Ftheater\\u002Ftent-theater-company-older-playwrights.html\\\\\\\"\\u003Eraise the profiles of older artists\\u003C\\u002Fa\\u003E.\\\",\\\"\\u003Cstrong\\u003EKeeping \u2018The Lion King\u2019 in Motion:\\u003C\\u002Fstrong\\u003E\u00a0\u201cEverything in the show moves,\u201d said Ruthlyn Salomons, whose job for 25 years has been to \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F02\\u002F10\\u002Farts\\u002Fdance\\u002Fruthlyn-salomons-lion-king-broadway.html\\\\\\\"\\u003Eoversee all the parts, people and puppets\\u003C\\u002Fa\\u003E\u00a0of this kinetic musical.\\\",\\\"\\u003Cstrong\\u003EThe Orchestra of St. Luke\u2019s Turns 50:\\u003C\\u002Fstrong\\u003E\u00a0The ensemble, a New York original, keeps its players busy with \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F01\\u002F31\\u002Farts\\u002Fmusic\\u002Fst-lukes-orchestra-carnegie-classical-music.html\\\\\\\"\\u003Ework off the beaten path\\u003C\\u002Fa\\u003E, whether Schubert rarities or \u201cThe Lord of the Rings.\u201d\\\",\\\"\\u003Cstrong\\u003EA Blue Man Group Farewell:\\u003C\\u002Fstrong\\u003E\u00a0Over 34 years, the show gave Fred Armisen a drumming gig, \u201cArrested Development\u201d a hilarious story line and more. \\u003Ca href=\\\\\\\"https:\\u002F\\u002Fwww.nytimes.com\\u002F2025\\u002F01\\u002F30\\u002Ftheater\\u002Fblue-man-group-new-york-closing-off-broadway.html\\\\\\\"\\u003ENow the cultural sensation comes to an end in New York\\u003C\\u002Fa\\u003E.\\\"]}]}]}}]}]}\",\"guide\":{\"__typename\":\"StorylineGuide\",\"displayName\":\"More on N.Y.C. 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